Flume tapped TSHA, Prospa, and oklou for night one support while Eprom, Shlohmo, and oklou provided an entirely new ambiance for night two. He sported a madman’s grin, a wig, shades, pashmina, and a ball cap. Prior to his performance, Flume came out incognito to enjoy his openers and the energy reverberating within the rocks. Right before the world shut down from COVID-19, Flume dropped Hi This Is Flume mixtape, which featured his contemporaries SOPHIE, JPEGMAFIA, slowthai, KUCKA. The first night’s set was lighter, while day two was much more bass-heavy. Since then, Flume has embarked on headlining tours in stadiums across the globe and many of his singles have topped the charts while racking up billions of streams on Apple and Spotify. This year’s Red Rock’s show took place over the timespan of two days, a mini-Flume festival. It was as though the audience was privy to a basement band rehearsal, a jam session and subtle spectacle of rawness, of passion, and of breathtaking and moving art.” Flume sat on the floor, tending to his board in the small spotlight they shared, while Vera floated around him. Although he brought out rappers from his albums, Vera Blue’s cameo appearance was without a doubt the crowd favorite. “During interludes, he created art within art – he cut metal, painted canvases, and smashed hardened clay pottery against brick walls. “The stage was set up like an odd living room of sorts, creating intimacy even in an arena as massive as Red Rocks,” the Journalist mused. Sets Of 2019,” our journalist delineated the experience in detail. In an excerpt from “ Exron End Of The Year: Best U.S. His set was intense, avant-garde, creative, explosive at times, whimsical, childlike, and raw. The last time Flume performed at Red Rocks was in 2019, right before the world irrevocably changed. This go-round, the young native Australian began his venture in Las Vegas, traveling to major cities such as Chicago, Washington D.C., Tennessee for Bonnaroo, London, Madrid, New York for Governor’s Ball, and Denver’s Red Rocks (with many pitstops still to go).Īlthough there were many notable venues, the flagship arena was Red Rocks, a massive Grecian-esque stadium carved into the crimson rock of Denver’s desert plains. And, slowly but surely, artists announced forthcoming tours to celebrate the fruits of their labors.įlume – an industry hotshot since the moment he stepped onto the scene, securing a Grammy for Best Dance/Electronic Album back in 2016 – joined the joy and mass resurgence, hitting the road for what would be his fifth tour. Producers and DJs that spent the majority of 20 in solitude, creating music, attending ayahuasca ceremonies, and avoiding the modern plague, began to release their coveted and curated creations. The time had come, the 11th hour had passed, and the world watched with bated breath as covid sang its final coda. This year marked the beginning of the end. Flume and Red Rocks: A match made in heaven.
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